I keep my waiting list short
and manageable: no more than 3 at a time. This works out to one in
progress, two in line. As each is completed, that opens up a new spot
on the wait list.
To be added to the Commission Alert List, Click Here. You'll also be given the option to sign up for my occasional Newsletter.
Following each "Commission Alert", if your email hits my inbox first, a
33% deposit will secure your spot on the wait list, then another 33%
when I start, and the balance plus shipping when I finish.
While I'm working on your commission, you can watch it take shape on my
blog if you like.
Description of the different Media
Gouache
is a kind of watercolor, but it's opaque, like the tempera you may have
used as a kid. It's good for smaller pieces, up to, say,
8x10. Lots of detail is possible (see
Cornbread), or it can also be used for a more graphic style, with larger non-detailed areas of flat color, as in
Loca Loquat.
Acrylic is really
versatile. I tend to use it like the old masters (think
Rembrandt, etc.) used oils; in thin layers, building up depth and
detail in a way that lets light bounce through the color layers rather
like what happens in real life. Things are rarely just one simple
opaque color. Skin and hair are complex mixes, reflecting and
transmitting light in sparkling arrays. See
Miki Too, for example.
Graphite is the pencil you're used to, though in various grades of hard and soft, dark and light.
Dave and Weenie is an example of a graphite drawing (with a touch of watercolor).
Pastels are like colored chalks, also in various grades of hard
and soft, allowing for some complex color mixes as the color particles
sit next to each other, but a bit less detail than other media. I
generally use
Conte Crayons, which are a very hard pastel.
Drifter is a good example of this medium.